![]() They would be wasting their skills if they were producing something that didn't use their abilities. There are some superb cinematographers on this site who produce some beautiful footage. Pete Shelley of the Buzzcocks said that it was easier to play your own songs rather than other peoples because your own songs were tailored to yourself, they played to your strengths and I think that this should apply to film making too. ![]() ![]() This links with Simon Cade talking about "caring too much about what is popular at the moment". 1965 : sitôt le triomphe de son quatrième long-métrage amorcé ( Le Corniaud, 3,5 millions de francs de budget amortis en trois mois d’exploitation seulement, et plus que bénéficiaire avec ses 11.739.783 entrées cumulées en fin de course), Gérard Oury se tourmente. ![]() It seems that in several places at several times, there were people who disagreed with that and the videos above seems to show that for the most part, they were correct. If its not pigeon-holed then it will never be commercial. Where are todays film movements? Where are the regional differences and styles? Digital puts cameras in the hands of so many people in a similar way to the handhelds of the Nouvelle Vague yet we are all told to obsess about genre, specifically horror or gangsters, preferably both.
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